Writing

My written work explores the nature of listening to and making sense of sound. Taking advantage of the triangulation of composition, theory and critical reflection I seek to apply a practice informed critique to develop new frameworks to aid future analysis and creative practice in sound.


Audiovisual Spaces: Spatiality, Experience and Potentiality in Audiovisual Composition

IN: (ed.) A Knight-Hill (2020) Sound & Image: Aesthetics and Practices. Routledge. […]

Sound & Image: Aesthetics and Practices

Edited Volume – Published June 2020. ISBN 9780367271466 https://www.routledge.com/Sound-and-Image-Aesthetics-and-Practices/Knight-Hill/p/book/9780367271466 Bringing together a […]

Electroacoustic Music: An Art of Sound

IN: Foundations in Sound Design for Linear Media, Routledge 2020. https://www.routledge.com/Sound-Design/book-series/SDS Chapter Review: […]

The Nature Of Sound And Recording

IN: Foundations in Sound Design for Linear Media, Routledge 2020. https://www.routledge.com/Sound-Design/book-series/SDS Chapter […]

Sonic Diegesis: Reality and the Expressive Potential of Sound in Narrative Film

IN: Quarterly Review of Film and Video¬†, Volume 36, 2019 –¬†Issue 8 […]

Stories of a ruined space: filmic and sonic approaches to practice-as-research

IN: Media Practice and Education  Volume 19, 2018 – Issue 3: Filmmaking in […]

(I)MAGE SOUND(S) – EXPANDED AUDIOVISUAL PRACTICE

IN: eContact 19 2 Light + Sound https://econtact.ca/19_2/index.html (I)MAGE SOUND(S) is a […]

Listening for Context: Interpretation, abstraction and the real

IN: Organised Sound 22(1). pp. 11-19 [April 2017] DOI: https://doi.org/10.1017/S1355771816000297 Abstract This paper […]

Theatres of Sounds: the role of context in the presentation of electroacoustic music.

IN SONIC 2015 Abstract Why do we work to create multichannel concerts? […]

The EARS 2 pedagogical project – an eLearning environment to introduce learners to sound-based music

In: King, Andrew and Himonides, Evangelos, (eds.) Proceedings of the Sempre MET2014: […]

Interpreting Electroacoustic Audio-visual Music

Thesis (PhD), De Montfort University. https://www.dora.dmu.ac.uk/handle/2086/9898 Abstract The basis of this research […]

Understanding Interpretation, Informing Composition: audience involvement in aesthetic result

IN: Organised Sound, 18(1). pp. 43-59 [April 2013]DOI: https://doi.org/10.1017/S1355771812000234 Abstract This paper documents […]