Over Lunan

Posted Posted in Composition, Instrumental, Project

A ritualised choral performance at Lunan Bay, Angus. A perfect crescent running for nearly two miles. To the north end lie deeply formed sand dunes, their height testament to the actions of more ancient seas; Here we are offered protection. Lost in time. In Mesopotamian creation stories, after mythical floods, half fish-half human sages, emerged from […]

Reconfiguring the Landscape

Posted Posted in Project

An International collaborative research network led by the Arne Nordheim Centre for Artistic Research at the Norwegian Music Academy. 2019-2022 Principal Investigator Natasha Barrett – Professor in composition at the Norwegian Academy for Music (NMH) Core Investigators Dr Nadine Sch├╝tz – Composer in Residence IRCAM Andrew Knight-Hill – Senior Lecturer in Sound Design and Music […]

Sound & Image: Audiovisual Practice and Aesthetics

Posted Leave a commentPosted in Project, Writing

Edited Volume – In development. Bringing together a diverse array of international experts and practitioners, this book reflects the ideas, and approaches surrounding contemporary audiovisual practice. Engaging with both traditional and new media formats, each chapter explores a facet of audiovisual art. From Narrative Film to Visual Music, to Live VJ Performances and VR, to […]

Immersive Hyperreal Soundscapes

Posted Leave a commentPosted in Composition, Project

A collaboration between myself, Paula Fairfield, Brona Martin and L Acoustics, funded by HEIF. A collaborative project to develop immersive hyperreal soundscapes, and research creative workflows for adapting linear timeline-based composition workflows towards new object-based panning systems, such as those used in the new L-ISA multichannel audio system. The L-ISA team approached me with a […]

EMAS40 – Electroacoustic Music Association of Great Britain

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Celebrating over 40 years of #electroacoustic music in the UK. January 2019. Introduction Welcome to the University of Greenwich and this weekend of concerts, talks, discussion panels and conversations about Electroacoustic Music in the UK. This two-day event celebrates a very significant anniversary: 40 years since the founding of EMAS (The Electroacoustic Music Association of […]

(I)MAGE SOUND(S) – EXPANDED AUDIOVISUAL PRACTICE

Posted Posted in (I)MAGESOUND(S), Writing

IN: eContact 19 2 Light + Sound https://econtact.ca/19_2/index.html (I)MAGE SOUND(S) is a collaborative audiovisual project led by artist Jim Hobbs and composer Andrew Hill. It seeks to bring together the practices of experimental film and electroacoustic music to create live expanded audiovisual performances. The goals of the project are to combine, share and reflect upon […]

Loudspeaker Orchestra Concert Series

Posted Leave a commentPosted in Loudspeaker Orchestra, Project

The Loudspeaker Orchestra presents immersive acoustic experiences through programmed concerts of multichannel sound design, sonic art and electroacoustic music. Regular concerts, featuring work by international artists alongside students of Sound Design, take place in and around Greenwich. These concerts are open to the public, and have run since 2015. http://loudspeakerorchestra.org

(I)MAGE/SOUND(S)

Posted Leave a commentPosted in Composition, Project

 A touring collaborative programme of works, developed in collaboration with artist Jim Hobbs, commissioned by the 16mm Film Collective in New York MONO NO AWARE, delving into the archives of the New York Public Library and LUX, the experimental film collective in London, the programme presents reimagined and reinterpreted films from the archive with newly […]